And I have to say, it was so easy and I didn't know that you really do just read it all through. ![]() ![]() KM: That was the other thing, because I've never done this before, I didn't know how long it would take and what the experience was going to be like. I've got a couple of kids, so I thought, "I don't know how I'm ever going to do this from home with two kids in the house, a six-year-old and a one-year-old." So for a while there, I thought I would be doing it in my car somehow, but my mom told me to go and use her basement and it would be quiet there, so it was actually really amazing to get in the car, drive down the street, and pretend like that was my office for the day and get lost in the book. My mom has a house right down the street from us and she's not in it right now she is somewhere else. KM: I felt very lucky to be able to do this from the safety of home. MH: Usually our narrators would record in a studio, but given the pandemic you had to record at home. So it's a very special thing for me to be doing it. When we would be in a car on a road trip or even just going to school, she was always listening to some sort of book on tape. I remember them actually being cassettes. I'm a really big fan of Audible and ever since I was a little girl my mom has always listened to books on tape. KM: It is the first, so it was very exciting for me. MH: So correct me if I'm wrong, but is this the first audiobook that you've ever narrated? Kate Mara: Thank you so much for having me. Kate, thank you so much for joining us today. ![]() The Getaway is a short, spine-tingling thriller that will leave you on the edge of your seat. Kate is lending her voice to narrate an Audible Original from powerhouse writing duo Greer Hendricks and Sarah Pekkanen. Margaret Hargrove: I'm Audible Editor Margaret Hargrove and I'm thrilled to be talking to actress Kate Mara today. “It doesn’t bother him that he’s the only one fighting.Note: Text has been edited and may not match audio exactly. There was a parental-child thing and he felt that he f- ed up, he didn’t treat her properly and he didn’t take care of that relationship,” the actor told THR of the guilt his character carries. “Zoe was sort of under his wing and care. James Gibson added that while Hammerschmidt isn’t letting go because he’s a good journalist, it was also a meaty task to see if he would be corrupted by the Underwoods‘ world.įor his part, McGiver said he hopes Mara still watches the show. Somehow, we have to come to terms with that.” At some point, we thought there was a price to pay for these women that disappear on this show. Someone would still be pursuing it and would still be trying to find some answers, so it felt essential that we do. “It would be irresponsible to not deal with that. “The show has a memory and Zoe’s death is such a pivotal and huge moment in the show,” Pugliese told THR. Showrunners Frank Pugliese and Melissa James Gibson, who took over from creator Beau Willimon after the fourth season, explained why Zoe is so integral to the series. That was a very special show to be a part of. “Little did I know - I don’t know how many years ago I finished filming - that she would still be a part of the storyline. ![]() “I literally know nothing about it, but I think it’s crazy and very flattering,” Mara told THR. But she’d heard that her character plays a part in the fifth-season plot.
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